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Film Analysis: Band Frontman Jason Williamson Takes On Role in Sceptical Examination at Ecstasy Generation Era

The work of Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Poacher denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Vibe

There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game releases in British and Irish cinemas from 17 November.

The writer

Gary Flynn

Digital marketing specialist met 10 jaar ervaring in contentstrategie en media-analyse.

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